Illustrating a children’s picture book – 7 revelations from a debut illustrator

I have always wanted to illustrate a children’s picture book for as long as I can remember myself. There is definitely something magical about creating your own visual world that you can share with others. Just over a year ago I had no idea how to go about illustrating a children’s picture book, and the thought of ever getting a book contract seemed improbable. Today I am writing this post as a published illustrator – my debut picture book “Make a Face” is out now with an incredible independent children’s publisher Pow!Kids, an imprint of Penguin Random House.

In this blog post I wanted to share the background story of illustrating this picture book. Hopefully other illustrators who have the same dream of seeing their stories and ideas come to live in a children’s book will find this post useful. Without much more rambling, here are my ten top revelations from illustrating a picture book, based on the lessons that I have learnt while working on “Make a Face”.

1. Show your work – get published!

Your first picture book commission can come to you in a number of ways. I received an email with an offer from my publisher while laying in bed  recovering from a bike accident – true story. My editor discovered my work through SCBWI portfolio – and that was how I got my book contract! The easiest way to show your work to potential clients is to join a professional organisation such as SCBWI (Society of Childrens Book Writers and Illustrators). Once you join, make sure that you upload a selection of your drawings into a “Portfolio” section.  There are also other online directories for illustrators out there, but I found SCBWI to be the most useful and rewarding in terms of community engagement and work prospects. They also have lectures, workshops and meet ups globally, so it is a fantastic resource for illustrators-to-be. Other ways of getting published are to submit your work to publishers directly or to go to trade shows, such as Bologna Children’s Book Fair.

2. Start by looking at the bigger picture.

Once my contract was all sorted and good to go, the actual work of illustrating the book could begin. Words for my picture books were written by the author Ricardo Alegria Jr, who has a really great sense of rhythm and pace. Personally, I enjoy working with text written by somebody else. My background is in graphic design, so I start the book project with a general page organisation, deciding which words go onto which spreads. You only get 32 pages in a typical children’s picture book, and that includes endpapers and a title page. So there are only about 12 spreads left for the actual narrative. To be honest, it was quite tricky to fit all the text into the limited amount of spreads. My editor did a great job breaking down the text and creating a page plan. Some text had to be sacrificed, even though it was funny and interesting, so you have to be ruthless sometimes in order to make sure that the final layout is coherent and easy to understand.

3. Keep calm and do your roughs

Once you have an idea of what text goes onto each page, it is time to do the most exciting part – sketch out the drawings! I have to admit that I was absolutely terrified when it came to doing this! All those fears and negative thoughts came to my mind: what if I can’t do it? What if I’m not good enough? That’s when procrastination kicked in and I found myself looking for hundreds of ways to distract myself rather than tackling the project head on. But after a while I had to find a way to get out of this mindset in order to move forward. So, when I sat down to do the sketches, I decided not to think about the pressure of producing a final product, but instead to just have fun while doing something I enjoy the most – just dreaming, creating fun characters and imagining how they would look like. I listened to music, and let my mind wonder. Eventually, I sketched the whole layout while on a long train journey to Scotland – and it was great. No distractions, nice views from the window, and my sketchbook. If you ever get stuck,  just hop onto the long distance train!

sketches of swinging monkeys

4. Find a way of working that works for YOU

When it comes to creativity and self expression, I am a firm believer that there is no one recipe that fits all in terms of the creative process. I have been through years of art education being continuously encouraged to use sketchbooks, plan colour schemes and prepare in advance – and hell did I try! I tried to work in a ‘professional’ way, and spent weeks trying to sketch some layouts out. The results were simply dull and I slowly felt the excitement for illustrating was going down the drain. I knew that it wasn’t the right way to work for me. That was when I made a conscious decision to forget all that advise and find an easier way to create, that suited my personality. I found that I liked to concentrate on the spontaneous individual drawings first, so I just spend hours and hours drawing various characters and plants – most of which found a way into my book eventually. I really enjoyed myself and found a way to move forward.

5. Flexibility is key

Once I had hundreds and hundreds of individual drawings, I scanned them all in and started laying the pages out digitally. Because I only had a rough plan in advance, I made sure that I have as much flexibility in my work as possible. For instance, I scanned my drawings at 600 dpi just so I could enlarge them if I needed to. I also made sure that each design element was on a separate Photoshop layer, so I could move it around and edit it easily. This process has really paid off as I was able to deal with correction requests from my editor quickly. There were changes going into the layout and even some of the character up until the final stages of the book and I was able to address them without much sweat on my part. God bless computers!

6. Learn by doing

It was terrifying and exciting to work this book out. It was great to have encouragement and support form the publishing team all along the way. Some days it was a mess and some days were full with little design victories and revelations. Did I feel ready when I got my first book contract? Was I 100% confident about my style and skills? No way! I knew how much I wanted it, but I didn’t feel that my portfolio was 100% (50%?….) perfect. I’m saying this because I think that you should start doing things you like even if you don’t feel ready for it. The perfect day when you are complete and ready might never arrive. Get your work out there – now! Learn to be okay with where you are at. After completing this project I felt myself light years ahead in terms of skills and confidence from the moment when I started the project.

7. Know when it is time to let go

One thing that I wasn’t quite prepared for was a time scale of creating a book. All the design from start to finish took almost a year to complete! I never worked on such a long project before. By the time I submitted the final artwork I felt that I was a new person all together. A part of me wanted to just sit down and re-draw the whole thing! The inner perfectionist was kicking in, begging me to make more changes and do it better. At the same time, another part of me knew that I should honour the work that went into it and feel happy with it. The trouble with perfectionism is that it prevents you from enjoying the results of your work, which are actually really good! So I’m glad that eventually I found a place when I had to let go, and be happy with my first book!

To purchase your copy signed by the illustrator please follow this link.